tag:blogger.com,1999:blog-30092938837736843412023-11-16T07:12:02.990-08:00Wedding Photography - Do you get what you pay for?Roger Dayhttp://www.blogger.com/profile/04510830094371190983noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-3009293883773684341.post-66911142710260403742012-02-08T06:33:00.000-08:002012-02-10T09:20:23.793-08:00Editing and Reportage Wedding PhotographyMost people today say they want a more candid “reportage”
style of photography. Often however, the
images they choose for their wedding album are the more traditionally posed
images. Why is that?<br />
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The truth is that most people want a mixture of both styles. The reportage approach, while potentially more interesting, often results
in images that are not perfectly composed or where key faces are not clearly visible. People want “natural” expressions and compositions but I don’t believe that
they want poorly composed pictures with obvious “flaws” either.</div>
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A reportage approach usually requires taking far more
pictures and working on a scene or situation taking many shots before
finally getting one good one where all the random elements seem to come together
in a pleasing composition. Often things
happen too quickly to properly compose a picture. By the time you have zoomed
in to get a tighter composition a fleeting glance or expression has vanished
and the moment has been lost. Often the lighting situation is not ideal, so a
great shot is slightly spoiled because faces are in shadow. Most commonly someone
blinks spoiling an otherwise perfect shot. When you “grab” a picture quickly,
often the image is “leaning” at an angle, the horizon is not horizontal, lines of
buildings or walls lean to the left or right. Some magazine image editors think
this makes an image look “interesting” when in fact it just looks wrong and
poorly composed.</div>
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This is why editing is so important, especially when shooting
in reportage mode. To get the best out
of a set of candid shots involves spending a lot of hours cropping, recomposing
to get horizontal and vertical lines correct, lightening parts of the image,
even combining two or more images to get the best parts from each.</div>
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In these hard times people obviously are looking for a good
deal, but do you really believe that a photographer is going to spend hours and
hours editing his images after he has cut his prices so far in order to offer a
cheaper quote than the competition?</div>
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Some of us do not want to have to compromise on the standard
of the final product we deliver and we see image editing as important and potentially creative as shooting
the images in the first place. Unfortunately, the time spent editing is unseen
and little understood by the client, so the downward pressure on prices means
that photographers are less willing to put in the hours required to do this properly.<br />
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Unless customers are prepared to question why some photographers seem to be offering exceptionally low prices they should not be too surprised if the results they get turn out to be a little disappointing.</div>
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For more information on the importance of editing, visit
this link: <a href="http://rogerdayphotography.com/editing.html">http://rogerdayphotography.com/editing.html</a></div>
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<br /></div>Roger Dayhttp://www.blogger.com/profile/04510830094371190983noreply@blogger.com0tag:blogger.com,1999:blog-3009293883773684341.post-67521574456545361712012-02-08T03:34:00.000-08:002012-02-09T01:12:21.669-08:00Wedding Photography – Do you get what you pay for?It is clearly a buyer’s market and people are more prepared
to shop around for the cheapest quote than ever before.<br />
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If you are buying a TV or a computer it makes perfect sense
to get it from Ebay or some other online trader if you can save a few pounds
over your high street shop. OK, you may be taking a slight risk in terms of reliability
of service, but you still have the manufacturer’s guarantee and the bottom line
is that you know the product you get is identical wherever you get it from.</div>
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This is not the case with photography. If two different
photographers cover an event like a wedding, the end results they produce will inevitably be totally different. These differences will be a product of differences in
their skill sets, how hard they work or their creativity. Despite this, people are now
applying the same “hunt for the cheapest price” approach to a creative service just as if it were an "off the shelf" commodity. </div>
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Like many photographers, I take a great pride in the quality
of my work and if I think I can improve on a good shot by taking a few more
from different angles, I will do that even though I know it will cause me extra editing later. If I think I can get a nice effect by using natural light rather than flash, I'll try it even though I know I may have to do some extra editing to sharpen the image or "clean up" some image noise.</div>
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I now find that the prices I charge, which I believe to be
very good value, are now being undercut by photographers who offer packages
that look very similar. However, unless they are working below the minimum wage, I
know they cannot deliver the same quality as me without significantly cutting corners.</div>
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Of course standards vary considerably, but there is some
truth in the idea that you get what you pay for, especially when it comes to a
service that involves skill and creativity.</div>
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To see my wedding portfolios visit: <a href="http://rogerdayphotography.com/weddinglibrary.html">http://rogerdayphotography.com/weddinglibrary.html</a></div>
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<br /></div>Roger Dayhttp://www.blogger.com/profile/04510830094371190983noreply@blogger.com0